FICTION WRITING LESSONS

• Accomplished Fiction Writing
• Change and Growth in Characters: Is It Mandatory?
• A Critique is a Review by a Knowledgeable, Limited Audience
• Don't Contrive
• Don't Listen to Dummies
• Facing the Reality: You are a Writer
• The Fiction Writer's Life
• Finding Plot, Theme, and Story Through Character
• Finding Your True Voice and Style
• To Get Published, Compel Your Reader
• Stop with the Rules NEW
• What is a four space skip, and what is the difference between the four space skip and a section break in a fiction manuscript?
• What is Showing in Fiction? Suggestion, Inference, Evidence.
• Writing Real
• Write What You Know

UPCOMING FICTION WRITING LESSONS

• Substantial Basis Means Credibility Coupled with Logic & Cohesion
• POV, What Is It and How to Pick the Right One for Your Book or Story
• Believe in Your Own Dream
• Passion, the Critical Ingredient
• Fiction Has To Be Truer Than Life
• If You Insist on Contriving, Do It Right
• Is it a Book or a Short Story: How to Know
• Critical Transitions
• Passive and Active
• Theme, Plot, Story
• Character and Setting
• Successful Use of Omniscient POV
• Head-Hopping How-To
• Multiple POV's
• Multiple Plots
• Simultaneous Story
• Interlocking Elements
• CYOA Books
• Complications, What They Are and How to Build & Use Them
• Using Symbolism
• Like-a-Like-a-Like-a-NOT
• Shorter than a Novel, Longer Than a Short
• Writing it Your Way

Benefits of Joining

Access to all lessons, plus access to both editors, zentao and womblin, to whom you may pose questions.

Join Now & Save

Right now, for a limited time, we off a special introductory membership fee of only $49.95 per year, regularly $60. Save 20% by signing up now, and get that introductory price “grandfathered in,” locked in for as long as you remain a subscriber.

FICTION WRITER'S RESOURCES

FWW editors critique you

AAR Literary Agents

Preditors & Editors

Ms. Snark

SlushPile.net

The Editorial Department ($2/pg) & will fix your mss

20 Worst Agencies

ONLINE FICTION

The Atlantic Monthly

The Deepening

The New Yorker